Paintbrush Portraits

These works play with notions of re-forming beauty and value. I use humble, end-of-life materials inspired by my experience as a faux finisher and love for history. 

The slow and repetitive pace of whittling allows me time to reflect more directly on the idiosyncrasies of each individual brush. The action of whittling serves as a metaphor for reducing something to its core value or essence. These works pay homage to a sensibility and vitality found in Old Masters' works.

My latest edition of Paintbrush Portraits highlights lost, obscure and powerful stories of women across history and geography. These lady-like portraits are also a strategy I use to draw the viewer into a more refined conversation about the nature of the work - in slowing down and observing the ordinary, however small, the most profound discoveries can be made.

Ongoing Series (1999 - present)